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Wednesday, November 27, 2013

IS MODERN ART REALLY ART?

Dead animals, elephant dung, unmake beds and rice all seem equal habitual objects but should we be calling them artistic man? When we were growing up we were taught that art was a beautiful motion picture - like forefront Goghs Sunflowers, or a perfect scratch of a piece - like Michelangelos David, but we were never unfeignedly taught that conceptual and contemporaneous art were prissy forms of art, change surface though it was completed in the sixties. It made us destine and challenge our protest assumptions of what art should really look like. People didnt understand the topic of cows cut in half (Damien Hirst), wire displace lockers (Mona Hatoum), rubble (Richard Long) or wish-wash (Tomoko Takahashi) being called art unless you could position it nicely on your living room wall. The fact that this compositors case of art didnt fit neatly into mountains ideas of what art should be was the spring it was called conceptual. Conceptual and contemporary art go t a huge reception out of people because they felt conned and marginally embarrassed when, for example, they looked at Martin Creeds light going on and wrap up and didnt expect it. They didnt like the fact that they couldnt work out the straight nitty-gritty of what the artist was trying to beat across. It also got a reply for another reason which was the simplicity of some of the art. Im confident(predicate) that when all the people who were working long hours every calendar week looked at the well-paid artist Tracey Emins unmade bed they were desperately squall to themselves, however I COULD DO THAT! and thinking whether conceptual art is even worth looking at.
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